The trained artist could draw a head or a hand from a dozen perspectives. The photographer discovered that the gestures of a hand were infinitely various, and that the wall of a building in the sun was never twice the same.


︎︎︎Excerpts from The Photographers Eye, John Szarkowski, 1966


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5 May-6 Jun 2022








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01

But he learned also that the factuality of his pictures no matter how convincing and unarguable, was a different thing than the reality itself.

02

And once made objective  and permanent, immortalised in a picture, these trivial things took on importance.

03

The vision they share belongs to no school or aesthetic theory, but to photography itself.

04

Speaking of photography Baudelaire said:  “This industry, by invading the territories of art, has become art’s most mortal enemy”.


05

But whether produced by art or by luck, each picture was part of a massive assault on our tradtional habits of seeing.

06

And once made objective  and permanent, immortalised in a picture, these trivial things took on importance.

07

The vision they share belongs to no school or aesthetic theory, but to photography itself.

08

Speaking of photography Baudelaire said:  “This industry, by invading the territories of art, has become art’s most mortal enemy”.


09

Most of this deluge of pictures seemed formless and accidental, but some achieved coherence, even in their strangeness.

10

The subject and the picture were not the same thing, although they would afterwards seem so. 

11

If photographs could not be read as stories, they could be read as symbols.

12

Some of the images were memorable, and seemed significant beyond their limited intention.